Week 8 - Mary Moua
In “Earth Song as Storywork: Reclaiming
Indigenous Knowledges” by Bronwyn Fredericks and Frances Wyld, both authors
discuss about the importance of songs to Indigenous cultures and life and how
each person’s individual song can be used as a platform for storytelling. I
think it was interesting how the authors related songs in the Indigenous
cultures and way of life to academia, highlighting the institutional oppression
and powers that silences each person’s song, but also the determination that
the authors have in using their song to empower themselves and their students.
The authors brought up valid and important
points that describes the issues and concerns that Indigenous folks and
American Indians face in higher education which correlates with invisibility
and low representation. A question that I have pertaining to this issue is then
how can one increase representation and spaces for these folks through their
individual and special songs to connect everyone to overcome the institutional
oppression that is silencing them? Furthermore, the authors stated how there
needs to be a balance between academic and nature. Along with respecting the
land that folks are living on, understanding the history behind the native
tribes that were the original inhabitants of that land, and creating more
spaces for Indigenous folks in communities, how can the songs that the authors
described in the article be used to balance academia and nature -- 2 very
different subjects but two that are also correlated with one another?
As the authors note, each song for each person
is different and the process towards recognizing one’s song differs as well
just like how it did for the authors. I thought it was interesting reading how
the purpose and power behind these songs can be used for a variety of reasons
and ultimately be used to create a curriculum that builds a relationship
between student and teacher that includes “respect, reciprocity, and
relatedness” (7).
Source:
Earth Song as Storywork: Reclaiming Indigenous
Knowledges by Bronwyn Fredericks
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